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![Direct Applied Old Age Makeup Part One Direct Applied Old Age Makeup Part One](https://www.gortonstudio.co.uk/wp-content/uploads/2021/03/Direct-Applied-Old-Age-Makeup-Part-One-300x300.jpg)
Direct Applied Old Age Makeup – Part One
Neill Gorton
Direct Applied Old Age Makeup - Part OneThere are many ways to tackle old age makeup. In this lesson, we look at creating ageing effects using only direct applied makeup FX techniques and changes to hair and hair colour.![OLD AGE THUMB TWO OLD AGE THUMB TWO](https://www.gortonstudio.co.uk/wp-content/uploads/2021/03/OLD-AGE-THUMB-TWO-300x300.jpg)
Direct Applied Old Age Makeup – Part Two
Neill Gorton
Direct Applied Old Age Makeup - Part TwoThere are many ways to tackle old age makeup. In this lesson, we look at creating ageing effects using only direct applied makeup FX techniques and changes to hair and hair colour.![LC005-2 LC005-2](https://www.gortonstudio.co.uk/wp-content/uploads/2019/11/LC005-2-300x300.jpg)
Face Cast with a Plaster Bandage Frame
Neill Gorton
Face Cast with a Plaster Bandage FrameThis ‘ears under cap’ face cast is designed for circumstances where it may be necessary to remove the cast with greater care. It may be that your subject will have to be cast with facial hair or you're casting around facial piercings. This might require that the alginate is not bonded into the rigid plaster bandage shell so that it can be removed first and then the alginate removed on its own allowing it to flex more and be removed with greater care. The plaster bandage frame creates an outer edge that will help re-locate and retain the alginate in the plaster bandage shell.![LC004 LC004](https://www.gortonstudio.co.uk/wp-content/uploads/2019/11/LC004-300x300.jpg)
Face Casting in Alginate
Neill Gorton
Face Casting in AlginateLife casting the face in alginate and plaster bandage. Bonding the alginate to the plaster bandage jacket using strips of plaster bandage inserted into the wet alginate.![Finishing and Texturing the Witch Sculpture Finishing and Texturing the Witch Sculpture](https://www.gortonstudio.co.uk/wp-content/uploads/2019/11/Finishing-and-Texturing-the-Witch-Sculpture-300x300.jpg)
Finishing and Texturing the Witch Sculpture
Neill Gorton
Finishing and Texturing the Witch SculptureTaking the floated prosthetic sculptures and attaching them to the cores. Once attached all the finishing, detailing and texturing work is done.![Zombie-Banner-Image Zombie-Banner-Image](https://www.gortonstudio.co.uk/wp-content/uploads/2021/03/Zombie-Banner-Image-300x300.jpg)
Floating and Flattening the Zombie Makeup
Neill Gorton
Floating and Flattening the Zombie MakeupDividing up the prosthetic sculpture into smaller pieces that will then recombine to create the finished character makeup. Where to make the joins and planning the overlaps. Once floated how to flatten and finish detailing the sculptures.![LC007 LC007](https://www.gortonstudio.co.uk/wp-content/uploads/2019/11/LC007-300x300.jpg)
Full Head Life Cast in Alginate
Neill Gorton
Full Head Life Cast in AlginateA full head life cast with ears out, in alginate and plaster bandage. This technique has the entire head covered in alginate and the alginate removed in one piece via a split in the back. We focus on techniques for getting a good cast of the ears and also for dealing with a subject who may have breathing concerns.![LC009 LC009](https://www.gortonstudio.co.uk/wp-content/uploads/2019/11/LC009-300x300.jpg)