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Casting the Half Mask in Latex
Neill Gorton
Casting the Half Mask in LatexMaking a latex casting from the plaster mould by dwelling the latex to create an even skin. Once cured this is backfilled with polyurethane foam.
Half Mask – Casting the Display Bust in Silicone
Neill Gorton
Half Mask - Casting the Display Bust in SiliconeMaking a silicone casting from a plaster mould using the brush-up method and backfilling the cast with polyurethane foam that has has been mechanically bonded to the silicone.
Making Resin and Epoxy Eyes – Part One
Neill Gorton
Making Resin and Epoxy Eyes - Part OneThere are many ways to make eyes. These lessons will demystify the process and show you how, using only basic tools, you can make very realistic resin and epoxy eyes from scratch including making all your own moulds.
Making Resin and Epoxy Eyes – Part Two
Neill Gorton
Making Resin and Epoxy Eyes - Part TwoThere are many ways to make eyes. These lessons will demystify the process and show you how, using only basic tools, you can make very realistic resin and epoxy eyes from scratch including making all your own moulds.
Matrix Moulding the Cyclops – Part One
Neill Gorton
Matrix Moulding the Cyclops Part OneMatrix moulding from a WED clay sculpture. Matrix moulds provide a way of creating a more controlled thickness of silicone over the sculpture when making your mould. The process of making a matrix mould is slightly more involved than that of a brush-up mould but yields more superior and reliable results.
Matrix Moulding the Cyclops – Part Two
Neill Gorton
Matrix Moulding the Cyclops Part TwoMatrix moulding from a WED clay sculpture. Matrix moulds provide a way of creating a more controlled thickness of silicone over the sculpture when making your mould. The process of making a matrix mould is slightly more involved than that of a brush-up mould but yields more superior and reliable results.
Mould Making Part One: Cheeks and Forehead
Neill Gorton
Mould Making Part One: Cheeks and Forehead Creating new cores to transfer the floated forehead and cheek appliance sculptures on to. We cast a rigid foam copy from the silicone negative mould and use this to help define the best shape and make a guide for producing plaster copies.
