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Application and Colouring for the Witch Character
Neill Gorton
Application and Colouring for the Witch CharacterThe conclusion of the witch character project is the final application and colouring of this multi-piece appliance makeup. We go through the steps of applying the pieces and adhering them to the face, blending and colouring the silicone pieces, and look at two different ways to finish the character making her camera-ready.
Application of a Basic Flat Mould Appliance
Neill Gorton
Application of a Basic Flat Mould ApplianceApplication of the flat mould appliance comparing two different techniques – a traditional application of the de-moulded appliance and then an application using the method of transferring the piece directly from the mould onto the skin. The applications use both silicone and acrylic adhesives. The appliance is adhered, textured, sealed, coloured, and dressed with blood.
Zombie Makeup Test Application
Neill Gorton
Zombie Makeup Test ApplicationBefore applying to our subject the flat mould appliances are test fitted to their life cast in order to asses how successfully the flat mould process has been and establish an application method.
Test Painting the Zombie Makeup
Neill Gorton
Test Painting the Zombie MakeupFollowing on from the test application of the flat mould appliances on a life cast a colour scheme is now applied to use as a concept and reference for a future makeup application.
Direct Applied Old Age Makeup – Part One
Neill Gorton
Direct Applied Old Age Makeup - Part OneThere are many ways to tackle old age makeup. In this lesson, we look at creating ageing effects using only direct applied makeup FX techniques and changes to hair and hair colour.
Direct Applied Old Age Makeup – Part Two
Neill Gorton
Direct Applied Old Age Makeup - Part TwoThere are many ways to tackle old age makeup. In this lesson, we look at creating ageing effects using only direct applied makeup FX techniques and changes to hair and hair colour.
Direct Applied Age Reversal Makeup
Neill Gorton
Direct Applied Age Reversal MakeupCreating age with makeup can work both ways and when trying to create an ageing effect it’s useful to make your subject appear younger to begin with in order to accentuate the effects of any ageing make up.